Conversations with Mani Ratnam by Baradwaj Rangan from Only Genuine Products. Educational and Professional Books · Academic Texts. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, in a series of freewheeling conversations— candid, witty, pensive, and His writings on cinema, music, art, books, travel and humour have been published in various . This book, unique to Indian cinema, illuminates the genius of the man behind In short, like Mani Ratnam’s films, Conversations surprises.
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Conversations with Mani Ratnam by Baradwaj Rangan. This book, unique for Man cinema, illuminates the genius of the man behind these and eighteen other masterly films. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, about his art, as well as his life before films.
In these freewheeling conversations, candid, witty, pensive, and sometimes combative, many aspects of his films are explored. Mani elaborates in a personal vein on his choice of themes, from the knottiness in urban relationships Agni Natchatiram to the rents in the national fabric Bombay ; his directing of children Vonversation ; his artful use of songs; his innovative use of lighting, as also his making films in Hindi and other languages.
There are fond recollections of collaborations with stalwarts like Balu Mahendra, P. Sreeram, Thotta Tharani, and Gulzar, among many others.
And delectable behind-the-scenes stories—from the contrasting working styles of the legendary composer Ilayaraja and Rahman to the unexpected dimensions Kamal Haasan brought to the filming of Nayakan to what Raavan was like when originally conceived.
Conversations with Mani Ratnam by Baradwaj Rangan
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Lists with This Book. Oct 11, Archana Sivassubramanian rated it really liked it. While we were making a really so-called short film at college, it kind of struck me how difficult this process of conversatoin is, and how some directors have made filmmaking look so effortless and palatable. I revisited this book two years after I had first read it, some quick thoughts on the book: Fancy what Mani Sir as he is known in the industry circle talks about his brilliant and equally outlandish ‘Thiruda Thirudi’?
I saw Thiruda Thirudi w While we were making a really so-called short film at college, it kind of struck me how difficult this process of filmmaking is, and how some directors have made filmmaking look so effortless and palatable. I saw Thiruda Thirudi way back inand wondered, whoa, what part of this stupendous film could be real.
We all assume that filmmakers make films inspired by real life events and circumstances, but this film was so flippant and illogical that it mocked at every deified code in the manual of screenplay writing. The music was loony and fresh with a mix of synth, swelling strings and acoustics.
The Background Score IMO is among the best of ARR’s compositions and I am underplaying my emotion here, also please listen to Thiruda Thiruda Chase Theme and talkmePC had gone bonkers with colors and motifs, and the movie, like all the other great movies of our times, wasn’t a commercial success. So this movie with all its deification does not have a plot, and this man Mani wanted it that way. It was interesting to note that Mani Rathnam does not believe in giving a ‘message’ through his films.
He says he likes to capture how we are today. I found this careless answer to a weighty question a little incomplete. He even justifies that Iruvar was a plot that we grew up with, and the movement that inspired the youth of the 70s in the South.
But how can one make impersonal films that one does not identify oneself with? Maybe that is how he is. Maybe that is what makes his craft stand apart, and speak. He believes in ebbs and flows and movements and “having a gap between two emotional peaks because a valley is always required between two mountains”, and sometimes likes to interpret too.
Oh and one more thing: I also liked how he defended the extraordinarily boring Raavan. I loved that chapter on Iruvar because it is one my most favorite films. One film that tried to combine cinema and politics and made art out of the mixture. Rangan hit some jackpot questions on the chapter that was on Iruvar Teaser: There is Godard and Micheaux from the other world.
There is Linklater and Del Toro and the other awesome etcs. W read about them, and dissect their techniques. In all our fancy for cinema outside of us, maybe we are missing out on all the spice that is available inside of us. This book throws a perspective on how groundbreaking it actually is in India to make the kind of films like the ones that Mani Sir has made.
And also one book that clarifies why you cannot reduce Mani Rathnam as just this upper class filmmaker who works with an upper class team to portray upper class living.
He definitely knows his art better than we do.
Oct 10, Santhosh rated it it was amazing Shelves: The equivalent of Harsha Bhogle talking to Ian Chappell at the end of day’s play. Nov 09, Archana Amaragandhi rated it it was amazing. Most often, we don’t recognize legends during their making. But when they are up there shining like brillant stars, we go back, revisit their work and say WOW.
I said more wows reading about these movies from the creator’s viewpoint than when I actually saw those. Mani Ratnam is indeed a legend. I am not sure if I am more in awe of Maniratnam for his earthly movies or the author Baradwaj Ranjan for bringing out the best from an otherwise reserved director, perfectly b Most often, we don’t recognize legends during their making. I am not sure if I am more in awe of Maniratnam for his earthly movies or the author Baradwaj Ranjan for bringing out the best from an otherwise reserved director, perfectly balancing between a fan and a critic.
Mar 31, Arun Divakar rated it liked it. A bigger canvas of film making and a lot of color and vibrancy is what a lot of film-goers associate with a successful commercial movie in an Indian parlance. A little more than 10 years or so ago, a movie that ran across multiple cinema halls in the country for more than a days or so was deemed a blockbuster.
If we measure success of a filmmaker with such a yardstick, then Mani Ratnam has certainly made his mark in Indian cinema. There are two movies of his which are my personal favorites: This book features chapter long interviews with the film maker on each of his movies from the first one up until Ravan an. There is a good sense of growth for Mani Ratnam as an individual as you read through these interviews in a chronological fashion.
In the interviews that cover the first films of his career, he appears to be hesitant and uncertain to a certain degree while talking of his choices as a director. Ratnam also rewinds some of the wrong choices he made in his movies which have from then on made him attain more maturity as a director. His movie Anjali which explores the relationship of a mentally challenged child with the members of her family and her neighborhood was perhaps the first of its kind in Tamil cinema.
The conversation centered around this movie forms the most interesting and enlightening part of the book. The preparations they undertook in studying the subject at hand and also how the child actors got ready for their roles. My first impression and expectation out of this book was to gain an understanding of how the mind of such a famed director works.
Conversations with Mani Ratnam
But at the end of the book, I hadn’t progressed much from the starting point. It is not that Ratnam does not open up, but that the interviewer does not succeed in drawing him out except at a few places.
The answers Ratnam gives are equally evasive and does not add much to a person who reads the interview. A very average book. May 04, Viju rated it liked it Shelves: And I so wish Goodreads comes up with the 0. The high you derive out of watching a good film is tremendous. This is a statement Mani Ratnam says at the very end of this book. I was hoping to be able to say the same about this book, as well. Mani Ratnam himself seems to be annoyed at vario A 3. Mani Ratnam himself seems to be annoyed at various instances during the course of the book including a point where he mentions ‘critics like to find films that they can bunch into one category and put under one chapter.
You are trying to do exactly that. By resourceful I mean he makes the audience see things in movies that they might not have observed as such. He tries to do the same with the usually reticent director and mostly succeeds in capturing the candidness, which is something other ‘journalists’ have failed in.
Conversations with Mani Ratnam – Baradwaj Rangan – Google Books
In the process, he tries to end up asking questions, a lot of them, which do not really matter to the Mani Ratnam fanboy since he already knows the answers to those questions. But it is also difficult to think of any other person who could have had these Conversations with the ace director and gotten a book better conversattion what this book is.
Full points to Baradwaj Rangan for working on something like this and as a fanboy of the director, I thank him for coming up with this book. However, one has great conevrsation from an acclaimed critic and a critically acclaimed director no wordplay thereand this book barely meets those expectations. Amazing book about the insights of this gem of a director to Indian Cinema. To be honest, the use of flowery, open dictionary to see meaning type words, could have been avoided by Bharadwaj Rangan.
Jani saw all bookk movies as I read each part of the book so I enjoyed it even more. Jan 22, Aishwarya rated it really liked it.
Now to spend one weekend watching all his movies one after the other. I wanted to love it, but couldn’t. Because, my mind fails to wth scenes they are talking about from Thalpathi and Nayakan. Need to revisit them, and this time from adult view and not from kid’s, as I saw them initially. Still, skipping a few things here and there, this still makes an engaging read.